The title is a drawing, the drawing is an undefined network II (2014)
Performance, 60 minutes #2 revisits the practice of anarchism of #1 but in interaction between 4 characters. The characters move inside the objectified chaos, a defined space inside the theater where they can make use of a microphone, internet, rest in a safe space or decide to enter the world. Concept and curation: Clara Saito With works by: Anonymous museum for unsigned works, Jessica, Alexander Nieuwenhuis, Petros Panagiotis Orfanos, Noha Ramadan, S.M. Snider, Cleide Saito and Clara Saito
Sep 1, 2014
The title is a drawing, the drawing is an undefined network I (2014)
Performance/Installation, 60 minutes #1 is at first a performance which seeks for absolute freedom. It proposes a practice of anarchism for the body and the mind as a crash test before applying it to society. It is an attempt to let go of fear, judgement and frame in order to find a non-yet existing place. From this idea 6 points/guidelines were cultivated: How to create a theory for a practice that doesn’t want rules. How to not be ideological. How to develop anarchy in practice and thoughts simultaneously. How to not create a system. How to allow a theory where it is possible for that same theory to sabotage itself. Avoiding master/slave, leader/ follower situations, whatever the leader is. Leader can be emotions/ the ego/ the brain/ judgment. The way out can have sometimes to do with play. Or with finding a third entrance. Or the third entrance is play. From allowing chaos, a form of order is built organically. Go for desires. Start from different perspectives, not having a center point. Search for/ or accept external unexpected or expected inputs. Stay independent. Concept: Clara Saito Performance: Clara Saito and guests Outside eye: Jan Ritsema
Mar 26, 2014